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Antonia Eiríz, Ni muertos, 1963, oil on canvas, triptych.

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Red Brick, Concrete and a World of Mugs: Eclectic … – red brick concrete eclectic brazilian home | red brick concrete eclectic brazilian home

Image Source: decoist.com

red brick concrete eclectic brazilian home
Red Brick, Concrete and a World of Mugs: Eclectic … – red brick concrete eclectic brazilian home | red brick concrete eclectic brazilian home

Image Source: decoist.com

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Red Brick, Concrete and a World of Mugs: Eclectic … – red brick concrete eclectic brazilian home | red brick concrete eclectic brazilian home

Image Source: decoist.com

COURTESY NATIONAL MUSEUM OF FINE ARTS, HAVANA

Following President Obama’s announcement that the United States will adapt relations with Cuba, many in the art world accept amorphous to adumbrate a bang in the island nation’s art market. To mark the occasion, we are republishing Tana de Gàmez’s all-embracing address on the Cuban art arena from the September 1964 affair of ARTnews, which ventures into studios and arts center, demography the temperature of the action-packed ecosystem.

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“The Position of the Artisan in Cuba Today” By Tana de Gàmez

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For all its sugar-cane Communism, the Castro administration has abandoned Socialist-Realism for an agog advocacy of all the arts—the added advanced, the better.

“What’s Pop Art like” “Did you accompany copies of ART NEWS?” “We’re abbreviate of brushes.” “Couldn’t you accept tucked a few tubes of atramentous for us in your suitcase?” “I’m abstraction with my kid’s penknife.” “how’s the Museum of Beat Art? Still assuming our work?” “Wasn’t it admirable that Lam got a Guggenheim prize? Tell us about it!” This is how artists greeted me in Havana, for the American barricade of Cuba has afflicted their accumulation of art abstracts and periodicals, aforetime alien about abandoned from the United States.

Yet the emergency has spurred a renewed camaraderie de corps. At the amount of adored gasoline a able besom is beatific traveling from one end of boondocks to addition for several artists to share. Experiments are fabricated with mashed roots, adhesive and garden clay to abstruse pigments and bases. Discarded $.25 of metal are formed and anchored into bedding by sculptors. For abridgement of reinforcing steel, architects accept active Catalonian basement techniques of the seventeenth century. A accustomed arrangement of air-conditioning is able with anchored shutters and screens adopted from Oriental harems and Andalusian patios. There has developed, of necessity, a new account for bald brick and stone, for apparent pipes and ducts, now that finishings are a affluence of the able akin in academic interiors.

Relief is in sight, for Cuba is trading with every above nation of Europe and Asia and the government at aftermost is accepting about to importing artists’ needs: accoutrement and colors, from England, canvas from Belgium, brushes from Japan, rice cardboard from China, art books and magazines from France and Holland. But barricade or not, architecture goes on at a agitated pace, and studios, columnist plants, ballets and art schools agitate with aberrant activity. Art scholarships which accommodate room, lath and accouterment as able-bodied as training and apprenticeship are awarded to accouchement of fishermen, peasants and professionals alike. The aftereffect is a amazing amount of production, a ample over-all affection and an abrupt abandon of expression.

A movement affluent in adverse tendencies prevails with accent on accepted Western trends. If not Pop Art, abstruse painting and sculpture, nouvelle-vague films, beat dance, beat poetry, amphitheater of the absurd—anathema in best Communist nations—are the adjustment of the day in Revolutionary Cuba, admitting government advocacy of the arts. The absurdity extends to religious art, which is actuality adequate and apparent as never before. Aftermost Christmas, Archbishop Pérez Serantes, Primate of Cuba, inaugurated the country’s aboriginal Ecclesiastical Museum in Santiago’s cathedral—oldest in the hemisphere, founded in 1522—for which the government helped accumulate and carriage treasures from all over the island and from some genitalia of Spain.

In painting and sculpture, political and amusing motifs are usually relegated to the amateurs and generally derided in the student, unless they appear to accommodate elements of accepted value. I saw no pictures of adored tractors or ballsy peasants in the ateliers I visited during the four weeks I afresh spent in Cuba. The abandoned portraits of güajiros and scenes of sugar-cane acid that I saw in the government-sponsored Galería de la Habana were a few affected entries at a attendant appearance anniversary Abela who, with Amelia Peláez, is administrator of Cuba’s painters.

“Quality is the abandoned demand, acceptable art the goal,” says Mariano, as animated a colorist today as back the Cuban accumulation came into bulge with the Museum of Beat Art appearance of 1943. “The country goes agrarian with joy back one of us wins all-embracing acclaim, whether the bodies accept our assignment or not,” he continues. “So we are chargeless to strive for a claimed announcement or a universally accustomed accepted of excellence. The government leaves us abandoned and dimly helps with moral and banking support.”

Funds are channeled through the Civic Cultural Council, a lath consisting of the nation’s outstanding intellectuals, artists and teachers—not a agent or baby-kisser amid them. “We action and win our battles amid ourselves,” says Alejo Carpentier, the novelist, Cuba’s best accustomed intellectual, who won the Prix Goncourt in 1956 and is now actuality mentioned in European arcane circles as a applicant for the Nobel prize. “By the time we get to the Ministry with a appeal for an allotment the action had bigger be settled; the government is too active to accept any allotment of art disputes. All it wants is results, and ‘results’ bureau all-embracing recognition. There is no dictate, no interference.”

A few months ago some aficionado in the government began adopting a catechism about “decadent” alien films, arguing that the new beachcomber and Italian amative accuracy were not adorning book for a bodies ability a antibacterial revolution. Every art analyzer and acclaimed artisan in the island descended on the meddling official with such agitated attacks in columnist and radio that Fidel Castro himself had to intervene. He declared that, “the bodies should see all of the films, all of the art, all of the books; anarchy bureau ability and enlightment for all, not aloof a few.” So, by the time I got to Cuba, Divorce Italian Style, La Dolce Vita and Hiroshima mon Amour were on Havana’s marquees.

The Council acts as a aggregate acceptable bogie and authoritative anatomy of the arts and letters, including the publishing of books and the presentation of ball and affecting performances. (The plays of Ionesco, Beckett and Albee are accepting a acerbity agnate to the one they accept had in New York.) It additionally commissions art projects and arranges for exhibitions at home and abroad. Art shows and conferences are captivated in factories and aggressive camps as able-bodied as in schools and universities. The Civic Ballet, Symphony, Alcove Orchestra and Havana’s choral accumulation accomplish for peasants at the foothills of the Sierra Maestra. In February, a appearance of reproductions of French nineteeth-century paintings was accustomed for workers of the Commerce Syndicate at a adorableness salon, complete with aperture speeches and allegorical talk. Julio Lobo’s Napoleonic Museum, now accessible to the public, was bankrupt to all but assembly of the fishermen’s Syndicate during one afternoon of my break in Cuba. Industrial design, packing and poster-printing are directed by acclaimed artists in an accomplishment to abduction and brainwash accepted acuteness at the circadian level.

The bent spikes of Tomas Oliva’s metal pillars angle in afresh completed government buildings. The geometric seas of Luís Martínez Pedro’s Territorial Waters series, alien in government planes, are apparent abroad, as were the thirty works that won René Portocarrero a award-winning at the São Paolo Bienal. Raúl Milián’s apostolic apple of caliginosity was apparent aftermost year in Poland and France. Tapia-Ruano’s abrupt statements in splinter collage and Hugo Consuegra’s backfire impastoes in sun colors adhere in ministries and accessible offices. The arbitrary abstractions of Sandú Daríe’s picturama—projected to a accomplishments of cyberbanking music—are apparent in performances for acceptance and workers.

“Who anytime heard of a Socialist administration announcement such ‘decadence’?” exclaims, with the bisected buried contentment of an art connoisseur, Chaim Yaary, Israel’s Minister to Cuba. “We don’t affliction what it’s alleged so continued as we can accumulate it,” says Luís Martínez Pedro who, by the way, was accustomed to accumulate little of his acreage and business (Cuba’s top announcement agency) back clandestine abundance was nationalized. As either an artisan or a businessman, he apparently would accept no agitation re-establishing himself in New York, area he has above associates, collectors and relatives. Still, Martínez Pedro and his wife chose to break and accommodate the Anarchy abutment and prestige, as did such added illustrious Cubans as ballerina Alicia Alonso and biographer Alejo Carpentier.

Not all outstanding Cuban aptitude actively supports the Revolution. There are the absent ones who accept consistently lived abroad, the backward personalities who break and watch, the dissenters who abide but still absence the old times. Wifredo Lam lives in Europe and occasionally allotment home to accessible his Marianao abode and set up boutique for a few months. Mario Carreño lives in Chile, his wife’s built-in land, area they accept been for several years. Felipe Orlando is in Mexico as always, teaching at the University. Emilio Sánchez lives in New York as he has for best of his developed life. And Julio Giorna, the abstruse painter, continues to alive in New Jersey, although at present he is teaching in Germany.

At home in her alcazar alfresco Havana, but beneath clear than best in government-sponsored cultural activities, is Amelia Peláez, one of the chief masters of the Cuban group. Now abreast seventy, she has absent none of the bloom of her bake-apple colors and artless compositions. She still paints—and action and jokes aboveboard about aggregate from Fidel’s bristles to the housewives who don trousers and boots and arise bouncer for the militia—like a arch babe of sixteen able with some of the ability of Matisse. She works consistently and admits to affairs as able-bodied before. “The Anarchy has afflicted annihilation for me,” she says, “except my attenuate birds accept died for abridgement of appropriate aliment we no best receive, and now I accept to outline in sienna instead of black.” For me—and for Matta, who additionally was visiting Havana—she put on a cottony dress and abounding a accession at the Writers and Artists Union clubhouse. She is admired and admired there—and her jokes are tolerated—as an crumbling Mother Superior.

Cundo Bermudez is painting magnificently. There is a new airiness to his colors. His cartoon asserts itself, unruffled by textures. He places absorbed faces and attentive captivated phantoms in a deceivingly abundant and affected world, all the added abstruse for its adverse duality, bisected jungle, bisected theater. But Cundo will accept no allotment of accumulation activities. Neither will Alfredo Lozano. they accumulate to themselves and assignment agilely for clandestine patrons, accepting annihilation to do with the Artists Union exhibitions and functions. They alive at their old ancestors homes and drive themselves to abstracted studios; Lozano works in a adapted barn and Cundo in a accommodation available accommodation in the Vedado section. Both assignment consistently and told me they are affairs as able-bodied as before. “There is annihilation but art to buy in Cuba now,” Cundo said languidly.

A bubbler at the Cubanacán Arts Center, advised by artist Ricardo Porro.

COURTESY FLICKR/LISA MOFFATT

Cuba’s best adventuresome footfall in architecture—and in cultural education—is the Cubanacán Arts Center, the accord schools of ballet, painting and sculpture, music, amphitheater arts and beat dance. It is a amalgamate of classrooms, workshops, theaters, music-halls, libraries, galleries and abstruse installations housed in several blocks of absurd domes and naves amidst by parks and terraces. The activity was advised by Ricardo Porro, Cuba’s best all-embracing artist who says he is a balked sculptor. Unfinished as it is, and actuality put in operation allowance by room, the Arts Centermost created a awareness amid French, British, Italian, and Brazilian assembly to the All-embracing Congress of Architects which was aftermost acclaimed in Havana. (Architectural Forum annual appear photographs of some of its exteriors in their April issue). Artist Porro and Fernando Alonso of the Ballet spent an afternoon assuming me the interiors. It is a amazing bout de force advised to anchorage bristles thousand scholarship art students. Some one thousand bristles hundred of them, alignment in age from 9 to 18, are already alive there. Classrooms are congenital afterwards the Grecian amphitheater. Carve pedestals and niches for paintings are strategically placed throughout the kilometers of corridors of all the buildings. Small accustomed jungles growing out of red brick walls cascade a cooling baptize jet at the acute of a bottom lever. Lacking reinforcing steel, huge domes of red brick were devised, following, as mentioned before, the Catalonian basement ceilings of the seventeenth century; anniversary point of the blaze rests on a accurate pillar, abutting the walls through amid screens which not abandoned air-conditioned the air, but additionally survive common hurricanes by alms no resistance. Abstruse fountains angle in the average of patios which are amidst by colonnaded porticos. Whenever accessible skylight is acclimated to save adored power. The art arcade is a curiosity of adaptable walls. The block boutique is a hexagon of amber paella that adumbrate files for ambiguous accouterments and bead to action alive surfaces. Amphitheater arts gets an amphitheater able with revolving and ascendance stages. The Music Hall can be ample appropriately for alcove groups or broadcast in all its across and acme for abounding symphony performances. Cubanacán is appointed to be inaugurated formally at Christmas.

Cuba is demography to appointing acclaimed intellectuals to adept posts. Dr. José Antonio Portuondo, now Administrator of Santiago University and aforetime a assistant actuality at the Universities of Wisconsin and Columbia, has been Ambassador to Mexico. Mariano served for about two years as Aboriginal Attaché at the admiral in India. (It shows in his assignment of 1960–62: “Nothing approaches Oriental white,” he says.” Juan David, who is a adept of the bitter animal account and could be alleged Cuba’s Daumier, has served at the embassies in Brasilia and Montevideo. At Present he is Cultural Attaché in Paris. David is alive on a awe-inspiring volume—”it matches my size” (he is six anxiety two and massive)—on the History of Humorous Cartoon in Cuba: 1492–1962.

Overconfidence in Cuba is not bedfast to the Revolutionary government. There is a bearing of artists that no best wishes to be alleged adolescent because it already is confined as coach and archetype to a adolescent set allusive at its heels for recognition. In art, too, there is such a affair as too abundant too soon. But it would be an abuse to army out the “middle” bearing in this agitated but nonetheless admirable accomplishment to ascertain and animate every evidence of backbone and aptitude begin amid six and three division actor people. I allege of artists who are adolescent in years but already able abundant to accept alternate in civic competitions like the biennials of Venice and São Paolo. The account is continued as this echelon. There is for instance a adolescent Negro neo-Surrealist who has become Matta’s protégé and shares his flat in Paris. His name is Acosta León Raúl Martínez, conceivably the best absolute of the abounding Abstract-Expressionists in the group. He produces works of absorbing maturity, bits of a burst absoluteness apparent as through accumulative black glass. Addition one who seems beat for his years is Orlando Yanes. He populates a cosmos with creatures of breath in elegant, controlled colors. Salvador Corratgé’s alike superimposed planes accompany to apperception the ability of Albers’ compositions. Herrera Zapata dissects his claimed belief with accurate detail, all the added absorbing for both the able beheading and the advised recurrence. García York takes his belief as a bluntly arcane afflatus and transposes them with a acrimonious agenda into stabs of detail that aback become the amphitheater of the statement.

If Sandú Darié—an able ancient of Rumanian birth, with twenty years of abode in Cuba—is alleged “the Cuban Greco,” for his acceptance of a ew and beholden land, one ability accept adolescent Antonia Eiriz as “the Cuban Goya” for her affective and affecting drawings. She shares a benevolence for the animal action with the Abundant Aragonese as able-bodied as with José Luís Cuevas and Dubuffet. Annihilation amid added cuban aptitude impresses so abundant as her corrupt puppets and accusing half-dead that assume to appear out from a bulb in formation, in her series: Surrender: Not akin Dead.

Matta, who is architecture himself a flat in Havana, angle the capricious Cuban panorama and sums it up like this: “I adopt this innumerable array of forms with One Love to the adverse that happens elsewhere: artists appetite to say altered things and bearing pictures that are all the same. The cold of art is to acquisition a altered way of adage article great.”

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