NOT ONLY DOES Farshad Mahramnia see aesthetic abeyant everywhere — he additionally brings it home.
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This agency two things:
• His wife, Laleh Zadeh, doesn’t get a adventitious to esplanade in their crowded-with-potential garage/storage area/studio all that often.
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• Once Farshad acts on all that aesthetic abeyant (and he does, eventually), he brings it central their home — area it is head-spinningly credible what a abstracted artist he is.
Farshad owns and operates Unique Architecture (@uniquedesignllc on Instagram), envisioning, designing and creating what he calls “one-of-a-kind architectural, adorning and anatomic art.”
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“Unique” and “one-of-a-kind” are altogether adapted adjectives, but sometimes you aloof ambition there were one added powerful.
“Inspired,” with the backbone of several senses in one word, could be a contender.
Farshad and Laleh confused actuality from Iran 19 years ago and now alive in Bellevue with their two daughters, 11-year-old Rojan and 8-year-old Roxana.
“When we came to the U.S. as immigrants, to survive, we absolutely bare a job,” says Laleh. “He started as an abettor to a carpenter. Because he’s an artisan with a vision, he best it up absolutely bound and started his own business in one year. Because he has a acceptable vision, custom houses congenital his art. He’d say, ‘I accept this idea: You can accomplish this wine-cellar aperture actual pretty.’ A few years ago, we started our own house.”
Farshad’s aptitude is inherent; his influences, like his work, accept acquired over time. “Back home, I formed in artwork, block copper: actual acceptable art,” says Farshad, who is currently alive on a alternation of brass-and-copper sculptures. “Now art is added of a hobby. Sometimes in my art I don’t appetite to use annihilation all-Persian, but aback I draw it, it aloof comes.”
(Such was the case with the alluringly arced columns he advised for his home: “They are not acceptable and not modern,” Farshad says.)
Essentially, their absolute home (literally, every room) serves as a exhibit of access and inspiration: a livable, comfortable arcade of admirable design, adroitness and skill, central and out.
The brace had a bare canvas with which to work, afterwards teaming with Seattle artist Chris Luthi on a above acclimate of the site’s existing, direct 1959 rambler. Even afore its demolition, Farshad was at work, creating.
“The advanced doors I pre-made one year afore the house,” he says. “The amount railing, brass, was pre-made.”
Brass is big here. Bronze, too. Copper. And wood. “All kinds of wood,” Farshad says. “Maple, walnut, birch, cedar. Everything.”
Some pieces accept been salvaged from audience sites. Some accept been repurposed from old furniture. Some, like the hemlock of the 8-foot-tall advanced doors, came from a barge store.
This accurate aperture of abeyant aboriginal appeared to Farshad in a photo.
“I had an idea, 18th-century French,” he says. “I saw a account and approved to accomplish it myself. I capital it to attending old. I corrective a able to attending a little old; it’s not nice and clean.”
Just central those amazing doors: a access so detailed, so inspired, you will beam at it until you’ve abandoned why you bare to go upstairs.
All Farshad, also.
“The stairs I fabricated myself, from maple, approved lumber,” he says. “I cut it into shape. It’s a little unusual. The assumption is inset in iron. This is my idea. I never saw anyone use assumption for a picket. For the post, I cut the adamant and formed it. I aloof advised it myself. I was cerebration a continued time about article assumption or chestnut for the railing.”
In the adjoining active room, Farshad accomplished and sanded the broiler (with marble accents) and corrective it an aged black. Also, “He corrective the shades and added the tassels,” Laleh says.
Farshad fabricated the coffee table, too, which holds a “very old” 35-inch chestnut tray he brought aback from Iran. Other chestnut trays, or apparatus of trays, appearance up in the media-room agenda table and, in the crumb room, in the anatomy about the mirror, on a table beneath the window and formed into a basin for the bath sink.
That attractive window? Previously aloof a allotment of apparent old bottle Farshad best up somewhere, sometime, seeing something.
“He aloof goes to acreage sales and buys it and saves it,” says Laleh. “I say, ‘What are you doing?’ He says, ‘I’m activity to do article with it later.’ ”
In the media room, the cabinets beneath a actively beauteous bar of rainforest granite and live-edge maple had adequate as abeyant until afflatus addled to add chestnut and glass.
“I had it in the garage,” Farshad says. “Usually, aback I see something, I buy it and leave it in the barn and use it in a few years. I should be done.”
Laleh is asked: “Do you accept him?”
Potential doesn’t disappear. Adroitness doesn’t rest.
“No,” she says, smiling.
Later, outside, area Farshad crafted a amazing fence from a timberline felled by the City of Issaquah (“I kept it two or three years and didn’t apperceive what I’d do with it,” he says), and a aboideau with celebrated door-knockers from Iran, he credibility out the chestnut broiler chase he advised — or, maybe, “is designing,” not absolutely past-tense.
“I forgot about this one,” he says. “I will accumulate going.”
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